. Which ONE statement best expresse

. Which ONE statement best expresses the main idea of the passage?
Outsourcing material production for oversized designs has helped to encourage more creativity in the art world.
Using inflatable material is the newest trend in creating oversized, lightweight works of art.
Finding funding to create oversized artwork is a major barrier for most artists.
Public museums and private galleries are working together to sponsor new larger-than-life artwork displays.
The design and construction of larger-than-life creations is a rapidly growing trend in the art world.
Not all of these grand new works are made so that the public can walk through them, but one thing they have in common is their ability to shock the senses with their size. The trend toward huge art can be seen in artists’ works from around the world. Massive paintings that cover one side of a four-story building in Sydney, a multi-colored chair as big as a house placed in the center of a park in Sweden and an enormous rubber lotus flower placed in the courtyard of a government building in Cairo are just a few examples of this new trend. Because of the popularity of such public displays, cities are now building enormous buildings that can be used specifically for this kind of artwork.

So, how are these works integrated into the more traditional museum and gallery world of art display? Public museums recruit highly visible retail corporations to sponsor the exhibits as advertising campaigns, allowing free access to the general public. These exhibits are often only temporary, moving from one location to another, and the artists’ use of inflatable materials has made this a very popular option. Making such a piece a part of the permanent collection is a challenge. “Purchase prices can be very high,” says one museum curator. “Our budget for these pieces has tripled in the last year thanks mainly to increased donations from various companies.” Likewise, private galleries want to get their hands on these pieces. They are revamping their spaces to fit these monster creations.

Not everyone is enthusiastic about this new trend. Jamie Rhoads, president of the Independent Artists Guild, is concerned that local artists, without the financial backing of a large gallery, will not be able to compete. “Before, it was just a matter of buying paints and some brushes if one wanted to be a successful artist. Now it’s gone way beyond that and I’m afraid of what that means for the independent artist.” Many of the monumental works require a whole team of people to execute the artist’s vision.

Resultados (ruso) 1:

. Which ONE statement best expresses the main idea of the passage?Outsourcing material production for oversized designs has helped to encourage more creativity in the art world.Using inflatable material is the newest trend in creating oversized, lightweight works of art.Finding funding to create oversized artwork is a major barrier for most artists.Public museums and private galleries are working together to sponsor new larger-than-life artwork displays.The design and construction of larger-than-life creations is a rapidly growing trend in the art world.Not all of these grand new works are made so that the public can walk through them, but one thing they have in common is their ability to shock the senses with their size. The trend toward huge art can be seen in artists’ works from around the world. Massive paintings that cover one side of a four-story building in Sydney, a multi-colored chair as big as a house placed in the center of a park in Sweden and an enormous rubber lotus flower placed in the courtyard of a government building in Cairo are just a few examples of this new trend. Because of the popularity of such public displays, cities are now building enormous buildings that can be used specifically for this kind of artwork.Таким образом это комплексная ghij работы в более традиционный Музей мировой художественной галереи, их отображения? публичных музеев набирать высококвалифицированный видимые розничной корпораций спонсора для рекламных кампаний как экспонаты, позволяя свободный доступ к широкой общественности. Эти экспонаты являются часто лишь временными, перемещения из одного места в другое, из художников, что их использование надувные материалов сделал это очень популярный вариант. делая такой постоянной частью часть коллекции представляет собой проблему. «Покупка цены может убедиться очень высоки,» говорит один куратор музея. «Эти части являются наш бюджет утроилось за последний год благодаря главным образом увеличению пожертвования от различных компаний.» Кроме того частные галереи хотят получить их руки эти куски, мы поймали ее. они реконструкция их запрещено подогнать эти творения монстра.не все энтузиазма по поводу этой новой тенденции. Джейми Роадс, президент независимой от гильдии художников, обеспокоен тем, что местных художников, без финансовой поддержкой большой Галерея никогда не будет, некоторые способны конкурировать. «раньше, это был просто вопрос покупки некоторых, их щетки краски, если один хотел конечно успешным художником. Теперь он ушел путь дальше, их я боюсь, что это означает для независимого художника.» Многие из монументальных произведений требуется целая команда людей видения для выполнения художника.